MArch II, MDes HPDM
In February 1973, Jean Duvignaud, Paul Virilio, and Georges Perec introduced the infraordinary in the fifth issue of their small journal, Cause commune. The infraordinary subsequently became attributed mostly to Georges Perec, to describe his keenness for the everyday in his prolific literary works. Infra-, a spatial preposition, meaning under or below, modifies the ordinary, or everyday life, in a call to action “to question that which seems to have ceased forever to astonish us.” Such a simple, local act can have immense consequences. Rather than removing “the everyday” from its context in order to defamiliarize it, as Cause commune critiques of mass media, the infraordinary studies the context itself, a seemingly blank space, or void, upon which the everyday is written. By choosing interdisciplinary essays to include in Cause commune, with a vast array of subject matters, the editorial team demonstrates the infraordinary is not just applicable to the literary, sociological, and architectural disciplines, but formulate an art of living upon this blank background.
The following thesis is an attempt to approach the infraordinary not only as the subject of exploration, but as a method of writing itself. The aim of this thesis is to trace the infraordinary conceptually through the immediate textual context of Cause commune issue No. 5, the work of Georges Perec, and the work of Cause commune’s other contributors. It is not an origin story, but a text enumerating ideas and forms of thought on everyday life that coalesce in this journal. By excavating what is below everyday life, the infraordinary shows just how unfamiliar we are with everyday life in the first place as we constantly come up against and avoid a void, and how we are equipped to do something about it—through creative acts and life itself.