Jessica Lim
MArch I
Recovering Wā Kāinga
Advised by Lisa Haber-Thomson
wā kāinga (noun): distant home, true home, home, home base.
Suspending the myth of architectural autonomy, this thesis draws from Māori mythology as embedded within the landscapes of New Zealand, to prompt an architectural approach that recovers ancestral telluric layers, not to analyze them, but rather to renew dormant kinships of site, memory, and affection. Engaging the work of one’s imagination, the quest of embodied, ancient knowledge proceeds from the deep wells of memory to the “bodying forth”1 of regenerated relations between peoples and lands.
Whakapapa, the recitation of genealogical lists in Māori tradition, demonstrates this: a cosmology built on allegories of procreation that relate all things eternally as kin. Considering this spatiotemporal consciousness, this project proposes a path and a series of 12 pavilions corresponding to 12 lunar months, within a model for architectural engagement grounded in recursive and reciprocal relationships.
| Na te kune te pupuke Na te pupuke te hihiri Na te hihiri te mahara Na te mahara te hinengaro Na te hinengaro te manako Ka hua te wananga Ka noho i a rikoriko Ka puta ki waho ko te po . . . Na te kore i ai Te kore te whiwhia | From the source of growth the rising From rising the thought From rising thought the memory From memory the mind-heart From the mind-heart, desire Knowledge becomes conscious It dwells in dim light And Pō (darkness) emerges . . . From nothingness came the first cause Unpossessed nothingness |
1 Michael Jackson, Lifeworlds: Essays in Existential Anthropology (Chicago: University of Chicago Press, 2013), 71.
